Techno-Embodied Performativity in Dystopian Imagination: Gendered Androids in The Stepford Wives and The Heart Goes Last
Oliwia Lasocka
DOI: https://doi.org/10.59547/26911566.7.1.04
How to cite:
MLA (9th edition):
APA (7th edition):
Chicago (17th edition):
Licensing: This article is licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0).
Copyright: Authors retain the copyright and full publishing rights without restrictions and may reuse/republish their article as part of a book or other materials, providing acknowledgment is given to MAST as the original source and place of publication. Authors can also post a copy of their accepted/published article on their websites and on their Institutional repository, citing that the article was originally published in MAST.
© 2026 Oliwia Lasocka
Special Issue:
vol. 7 no. 1 (2026)
Body Modification and Gender Anarchy in Media Theory and Practice
Section: Essay
Author: Oliwia Lasocka
Editors: Bernadette Wegenstein and Cla Calabresi
Submitted: Apr 10, 2026
Accepted: Apr 10, 2026
Published: May 30, 2026